This album won the Gramophone magazine Record of the Year Award in 1987, the first time an independent label received this prestigious award. In general the Phrygian mode of the setting does not allow strict melodic imitation at the fifth below the final. Building on the simplest four-note motif imaginable, Josquin creates some of his most densely argued and thrilling polyphony in the Missa Faysant regretza world of protean, swirling references and repetitions. Missa Pange lingua, here under its alternative title Missa De venerabili sacramento, in a manuscript from the 1520s ( Austrian National Library). He composed fluently and well in every contemporary genre of music, sacred and secular. Sanctus - [02:54] 05. [2] Famous copyist Pierre Alamire included it at the beginning of one of his two compilations of masses by Josquin. The Missa Pange lingua is regarded as one of Josquin's last works due to its omission from Ottaviano Petrucci's three Josquin mass volumes, particularly the final one published in 1514. For full access to this pdf, sign in to an existing account, or purchase an annual subscription. 10 - Most likely his last mass, it is an extended fantasia on the Pange Lingua hymn, and is one of Josquin's most famous mass settings. (-)- !N/!N/!N - 134 - Michrond, Bass trombone When the Council of Trent prohibited the use of secular songs as sources for masses in 1562, a large corpus of music was no longer available to composers who had been ransacking it for parodies; those composers who followed the Council's dictates often returned to using monophonic hymns and plainsong, sources which suggested the paraphrase technique. PANGE LINGUA- (Latin to english translation) Mario Creado 2.2K subscribers Subscribe 5.2K Share Save 645K views 10 years ago Pange Lingua Gloriosi Corporis Mysterium is a hymn written by St. Take a look. Several movements, such as the Kyrie and Agnus Dei III which frame the cycle, derive their entire cadential and formal structure from the phrases of the hymn. Credo 4. 10 4 Nonetheless, apart possibly from Mater Patris, we are still referring to Josquins last mass, written when he was over 60. *#218221 - 0.03MB, 2 pp. Musical paraphrase, in general, had been used for a long time before it was first applied to the music of the Ordinary of the Mass. Josquin Desprez - Pange lingua Mass, Gloria . [4] The mass is the last of only four that Josquin based on plainsong (the others are the Missa Gaudeamus, a relatively early work, the Missa Ave maris stella, and the Missa de Beata Virgine; all of them involve, in some way, praise of the Virgin Mary). The work is tightly organized, with almost all of the melodic material drawn from the source hymn, and from a few subsidiary motifs which appear near the beginning of the mass. Switch back to classic skin, Creative Commons Attribution-NonCommercial-NoDerivs 4.0, Creative Commons Attribution Non-commercial Share Alike 3.0, Creative Commons Attribution-NonCommercial 4.0, http://imslp.org/index.php?title=Missa_Pange_lingua,_NJE_4.3_(Josquin_Desprez)&oldid=3443377, Pages with commercial recordings (BnF collection), Creative Commons Attribution-ShareAlike 4.0 License. 2ndpublished: 1546Nrnberg: Hans Ott Their readings also include additional editorial reworkings. *#203160 - 0.01MB,? 10 2 In this respect the very unsatisfying underlay of text in the Sanctus and the Agnus dei as transmitted by the 'Alamire' manuscripts may point to some earlier copying in haste. To be precise the first nine bars of the first Kyrie are based on the first phrase of the hymn. 10 4 - Michrond (2012/5/12), Complete Score Everyone agrees that it is a late work, quite possibly Josquin's last mass, and in many ways his finest. of St. Victor of Paris, 13th century, with additions dated 1567). 6 Pgfeller (2015/12/25), I. Kyrie - The slow abandonment of the chant as a starting point for the middle movements is unique. The most famous example from the early 16th century, and one of the most famous paraphrase masses ever composed, was the Missa pange lingua by Josquin des Prez, which is an extended fantasia on the Pange Lingua hymn for Corpus Christi by Thomas Aquinas. (-) - !N/!N/!N - 126 - MP3 - Stenov, 3. And the texture shifts instantly to a contrasting and introspective affect upon the cry "miserere nobis." This mass was probably composed near the end of Josquin's life, around 1520. 4 0.0/10 In those sections with much text, the opening of a phrase is sung to a minimum of notes, which strictly follows the declamation of the text. 8 100%. "Missa Pange Lingua" is a choral piece composed by Josquin des Prez, a prominent composer of the Renaissance period. 6 listen ive been talking to my friends here at sputnikmusic. 0.0/10 (-)- !N/!N/!N - 74 - Agarvin, Engraving Files (Lilypond) 6 This edition must have functioned as model for the copying of the mass in the MSS Leipzig, Universittsbibliothek, MSS Thomaskirche 49/50, Regensburg, Bischfliche Zentralbibliothek, MS C100 and Rostock, Bibliothek der Wilhelm-Pieck-Universitt, MS Saec. - - Siegbert Rampe: Preface to "Froberger, New Edition of the Complete Works I", Kassel etc. Moreover, its reading of the mass includes far more copying errors than the other copies of the mass from the scriptorium. Request Permissions, Published By: American Choral Directors Association. The madrigal, An Approach to both in its performance with solo _ . (-)- !N/!N/!N - 214 - Anastassia Rakitianskaia, IV. The effect is curiously cathartic, as though the listener, having been "teased" throughout, is finally allowed to enjoy the This item is part of a JSTOR Collection. It was a common means of mass composition from the late 15th century until the end of the 16th century, during the Renaissance period in music history, and was most frequently used by composers in the parts of western Europe which remained under the direct control of the Roman Catholic Church. 6 One of the earliest readings of the complete mass seems to be preserved in the Vatican choirbook MS Cappella Sistina 16, copied in Rome around 1515-1516 by Claudius Gellandi for use by/in the Cappella Sistina. 3rdpublished: 1929in Das Chorwerk, no. XML score data: Kyrie, Gloria, Credo, Sanctus, Agnus dei. Wikimedia Commons However, the introduction of a b-flat before the third note of the 'Pange lingua' motive at the start of the Credo (Bassus/Contra, mm. 0.0/10 With these basic elements, the composer weaves a web of astonishing refinement, in which every melodic and rhythmic element has its place. <Missa Pange lingua is also available on <hyperion:link album="CDGIM207">Renaissance Giants</hyperion:link>.</p> Free shipping for many products! 6 4 The analysis portion of the chapter discusses Josquins imitative technique, extensive use of ostinatos, and paraphrase of Gregorian chant. 10 8 *#575453 - 0.06MB, 6 pp. 2 The sound-world of this setting is determined by the vocal ranges, which finally come closer to the modern practice of SATB (soprano, alto, tenor, and bass), especially if the music is transposed up a minor third, which it standardly has been in recent decades. 4 - In those Ordinary movements with little text, the structure of melodic phrases in general leaves no doubt where repetition of text has been intended, particularly in the long-winded duos in the Sanctus. 2 It is distinguished from the other types of mass composition, including cyclic mass, parody, canon, soggetto cavato, free composition, and mixtures of these techniques. However, given that by this time Josquin was living back in Cond-sur-lEscaut, a long way from Fossombrone (where Petrucci was), it is quite possible that he wrote the mass earlier than 1514, which Petrucci didnt know. 6 Other. In the Missa pange lingua, all voices carry variants of the hymn, with the beginnings of successive phrases marking points of imitation in the mass. Access to content on Oxford Academic is often provided through institutional subscriptions and purchases. ctesibius (2009/12/4), Kyrie 0.0/10 8 10 Apparently, in some musical circles in Rome, certain aspects of Josquin's setting, as well of its notation, already held the odium of being "old-fashioned. 4 8 A CATHOLIC MASS FOR A MEDIEVAL CULT. Paraphrase. Missa Mater Patris exemplifies Josquins late-in-life, daring simplicity: gone is the dense polyphonic argumentinstead we hear light, open textures delivered with a good deal of wit, even playfulness. Two printed Album Rating: 5.0Fair point - Blackwater Park review coming up next. 2 L. Macy (Accessed March 25, 2007), Gustave Reese (biography) and Jeremy Noble (works), "Josquin Desprez," Howard Mayer Brown, "Mass", in. 10 Therefore it looks as if the 'Alamire' scriptorium first obtained a copy of the mass in which the rather highly demanding settings for two soloists were replaced by other settings, and only somewhat later obtained a fair copy of Josquin's original version. - *#572204 - 6.51MB - 7:06 - 6 - Derived from a hymn called pange lingua. Credo - [06:45] 04. - Ecce Sacerdos Magnus, WAB13 - [05:39] Download Link Isra.Cloud The Choir of St John's Cambridge - Franz Liszt: Missa Choralis / Anton Bruckner . *#575455 - 0.08MB, 9 pp. Some of these readings were copied in manuscripts produced in Josquin's lifetime or shortly thereafter; their provenance as well as their readings of the Missa Pange lingua offer a unique insight into the way Josquin's setting may have been transmitted throughout Europe in the first half of the 16th century. . 10 0.0/10 10 3/18), and the incorporation of melodic lines that clearly demand for a b-flat fa super la, invite more careful exploration of the setting, in order to locate these isolated escapes from the Phrygian hemisphere. Josquin's Missa Pange lingua is composed on material derived from the melody to which, from the 13th century onwards, Thomas of Aquinas's adaptation of a hymn by Venantius Fortunatus may have been most frequently sung. Take a look at this works in the Online Art Guide. 0.0/10 4 [3], The hymn on which the mass is based is the famous Pange Lingua Gloriosi, by Thomas Aquinas, which is used for the Vespers of Corpus Christi, and which is also sung during the veneration of the Blessed Sacrament. The refrain of a carol. [2], By the beginning of the 16th century, it was becoming more common to use the paraphrased tune in all voices of a polyphonic texture. While the movements begin with quotations from the original, as the movements progress Josquin treats the Pange lingua tune so freely that only hints of it are heard. Bach's Cantata no. XVI C 4. Since the style of the composition points to a rather late work by Josquin, singing of the mass may have been restricted for a period to the church of Cond. An almost identical reading of the mass in the choirbook Jena, Thringer Universitts- und Landesbibliothek, MS 21, copied in the same scriptorium between 1521 and 1525, makes it highly probably that the readings in BrusBR IV.922 and JenaU 21 may have been copied from twins, originating from the same exemplar, but each with additional annotations which may have slightly differed from each other. 6 *#218220 - 0.03MB, 2 pp. 4 2 The ineffable motion of the spirit which results from our auditory experience connects us to this masterpiece across time. Contextual translation of "missa pange lingua" into English. 8 4 Sanctus V. Agnus Dei, II. (-) - !N/!N/!N - 127 - MID - Michrond, MID file (audio/video) Its free-flowing polyphony, less rigorously canonic than that of his earlier works, is supple, expressive and extraordinarily beautiful, and contributes to a sonority that's unusually rich and luminous.